Artists of Northern Europe, portrait miniature, Portraiture, Renaissance, Symbols and emblems, Tudor portraiture

Hans Holbein the Younger and Thomas Cromwell as depicted in Hilary Mantel’s Wolf Hall trilogy

The content discusses the significance of historical fiction, particularly the works of Hilary Mantel, in portraying the Henrician court through researched narratives. It emphasizes Hans Holbein's portraits as vital historical sources, revealing connections between subjects like Sir Thomas Cromwell and prominent figures, thereby influencing modern interpretations of Tudor history.

Artists of Northern Europe, Portraiture, Tudor portraiture

Sir Thomas More – how we know him & his family

The face of Sir Thomas More (1478-1535) is known to us because Hans Holbein the Younger (c1497-1543) painted the portrait that now hangs in the Frick Collection, New York. Sir Thomas More as Chancellor of the Duchy of Lancasterhans Holbein the Younger (c1497-1543). Frick Collection New York.Image source : Wikipedia For those interested in the… Continue reading Sir Thomas More – how we know him & his family

Portraiture

How we know the Movers & Shakers of Tudor Society

How does a 21st century audience recognise the shakers and movers of Tudor society? Clearly those historians who immerse themselves in documents will have a feel for the way they believe these men and women thought.   Combine that with the use of the portrait as a propoganda tool and suddenly these influential people are no… Continue reading How we know the Movers & Shakers of Tudor Society