Artists of Northern Europe, Symbols and emblems

Hampton Court Chapel – sung Eucharist by Thomas Tallis

On a chilly November Sunday night the congregation of the chapel royal at Hampton Court Palace experienced a religious service last held over 400 years ago during the reign of Mary Tudor when the form of liturgy used in the royal chapels was the Catholic Use of Sarum. Thomas Tallis (1505-1585), Gentleman of the Chapel… Continue reading Hampton Court Chapel – sung Eucharist by Thomas Tallis

Artists of Northern Europe, Portraiture, Symbols and emblems

Albrecht Dürer : The Master of self-promotion

The dawn of the sixteenth century saw the portrait being used more widely for self-promotional purposes thanks to one man - Albrecht Dürer (1471-1528). Albrecht Dürer sketched himself from the from the age of thirteen and as an adult, completing at least three individual self-portraits during his lifetime. The very first of these was a silverpoint… Continue reading Albrecht Dürer : The Master of self-promotion

Exhibitions, Portraiture, Symbols and emblems

The Armada Portrait Reconsidered.

The portrait of Elizabeth I known as the Armada Portrait was saved for the nation thanks to contributions from a generous public and a huge donation from the Art Fund. It has now been fully restored and hangs in The Queen’s House, Greenwich.  It is one of three portraits that clearly derive from the same… Continue reading The Armada Portrait Reconsidered.

Symbols and emblems

The Plantagenet literary legacy and the early Tudor use of visual propaganda

When Henry Tudor married Elizabeth of York in January 1486, it was not only the unifying of two warring noble house, but the birth of a new artistic age. Queen Elizabeth was the daughter Edward IV whose collection of books formed the first Royal Library now housed in the British Library. Edward was an avid… Continue reading The Plantagenet literary legacy and the early Tudor use of visual propaganda