Nicholas Hilliard was England’s first English artist to become internationally famous. His self portrait (© Victoria & Albert Museum, London) is a mere 41mm in diameter (1.6 inches) and it is for these exquisitely delicate and miniature images of Elizabeth I and her court that he becomes famous. I fell in love with Hilliard’s miniatures… Continue reading Nicholas Hilliard (1547-1619) & Isaac Oliver (1565-1617): Painters to the Elizabethan and Jacobean courts
This article focuses on those who created the portrait miniatures from the mid 1520s until 1603 and how, thanks to the talents of the artists employed at the Tudor court, we are able to identify some aristocratic sitters of the 16th century. Links to images and articles are in bold italics. Portraits of the aspiring… Continue reading Illuminators of the Tudor Court
The portrait of Elizabeth I known as the Armada Portrait was saved for the nation thanks to contributions from a generous public and a huge donation from the Art Fund. It has now been fully restored and hangs in The Queen’s House, Greenwich. It is one of three portraits that clearly derive from the same… Continue reading The Armada Portrait Reconsidered.
In the British Library we have a collection of illuminated manusripts that are as important to our national culture as the history of battles won and lost by kings long gone. Gifts by George II and George III form the core of the British Library known as the King’s Stack. George II gave 2000 volumes,… Continue reading Illuminated manuscripts fit for a King
How does a 21st century audience recognise the shakers and movers of Tudor society? Clearly those historians who immerse themselves in documents will have a feel for the way they believe these men and women thought. Combine that with the use of the portrait as a propoganda tool and suddenly these influential people are no… Continue reading How we know the Movers & Shakers of Tudor Society
A possible explanation to this strange, apparently nonsensical motto on this beautiful HIlliard portrait.
Previously unknown portrait in a private collection.
