A recent article in various publications (including The Smithsonian magazine), looked at Franny Moyle’s suggestion that Holbein left clues regarding the identification of one of his sitters of his miniatures being of Henry VIII’s fourth wife, Anna, Duchess of Cleves. It is not the first time this possibility has been discussed. Heather Darsie describes how Anna adopted the… Continue reading How we know the Tudor Royals from 1485 – 1558; and who painted them.
For those not familiar with the genre of the portrait miniature, let us first consider why and when these portraits became popular in England, and the various artists creating these images for the Tudor court. The half millennium saw a marked change from the religious themes of the medieval period to secular subjects inspired by… Continue reading The origins of the Tudor portrait miniature
Nicholas Hilliard was England’s first English artist to become internationally famous. His self portrait (© Victoria & Albert Museum, London) is a mere 41mm in diameter (1.6 inches) and it is for these exquisitely delicate and miniature images of Elizabeth I and her court that he becomes famous. I fell in love with Hilliard’s miniatures… Continue reading Nicholas Hilliard (1547-1619) & Isaac Oliver (1565-1617): Painters to the Elizabethan and Jacobean courts
This article focuses on those who created the portrait miniatures from the mid 1520s until 1603 and how, thanks to the talents of the artists employed at the Tudor court, we are able to identify some aristocratic sitters of the 16th century. Links to images and articles are in bold italics. Portraits of the aspiring… Continue reading Illuminators of the Tudor Court
The portrait of Elizabeth I known as the Armada Portrait was saved for the nation thanks to contributions from a generous public and a huge donation from the Art Fund. It has now been fully restored and hangs in The Queen’s House, Greenwich. It is one of three portraits that clearly derive from the same… Continue reading The Armada Portrait Reconsidered.