Artists of Northern Europe, Christmas, Flemish primitives, Illuminated manuscripts, Original Documents, Renaissance, Simon Bening, Subjects for discussion, Symbols and emblems, Uncategorized

And there were shepherds in the fields …

f157verso Ms M399 the da Costa Hours (c1515); Simon Bening (1483/4 - 1561). The Morgan Library, New York. Simon Bening has chosen to depict the moment the single angel visits the shepherds as told by St Luke and St Matthew in the New Testament and has set the announcement to these humble men in a… Continue reading And there were shepherds in the fields …

Artists of Northern Europe, Flemish primitives, Illuminated manuscripts, Original Documents, Renaissance, Simon Bening, Symbols and emblems

The Nativity – By Simon Bening c 1515.

Hidden away in the Morgan Library in New York is this gem of a book of hours painted by the last of the male Flemish illuminators, the great Simon Bening. Folio 151verso is a full page illumination of the birth of the Christ Child. The Virgin kneels before naked newborn Christ, who is laid on… Continue reading The Nativity – By Simon Bening c 1515.

Artists of Northern Europe, Flemish primitives, Illuminated manuscripts, Original Documents, Portraiture, Renaissance, Royal Portraits, Tudor portraiture

The difficulty identifying 16th portraits of ‘Unknown Ladies & Gentlemen’

Jacob Burkhardt revolutionized art and cultural history in the 19th century, emphasizing the importance of art in understanding societal contexts. Misattributions and unknown subjects in historical portraits persist, complicating scholarship. Modern technology aids in analysis, yet many identities remain elusive, highlighting the depth of art history beyond mere aesthetics.

Artists of Northern Europe, Illuminated manuscripts, Renaissance, The Hapsburgs

Of Parrots, kings and other things!

Parrots emerged as symbols of status in Europe after Alexander the Great brought them from India. Initially viewed as divine for their speech, their trade was primarily controlled by Arab merchants. Subsequent explorations expanded knowledge of various parrot species, including those from the New World, which became prized possessions among the elite.

Artists of Northern Europe, Original Documents, portrait miniature, Portraiture, Renaissance, Royal Portraits, Tudor portraiture

How we know the Tudor Royals from 1485 – 1558; and who painted them.

Articles in various publications have looked at Franny Moyle’s suggestion that Holbein left clues regarding the identification of one of his sitters of his miniatures being of Henry VIII’s fourth wife, Anna, Duchess of Cleves and not Katherine Howard as suggested by George Vertue writing in the 18th century. The recent article about Moyle’s theory… Continue reading How we know the Tudor Royals from 1485 – 1558; and who painted them.