Art historian with an interest in visual messages
Hilary Mantel emphasized that novels should raise questions rather than provide answers, illustrated through her portrayal of Thomas Cromwell and Holbein's art. Cromwell’s rise amid Tudor court politics is detailed alongside Holbein’s contributions, reinforcing both the artistry and historical significance of their relationship, while reflecting the intricate dynamics of power and identity during that era.
The content discusses the significance of historical fiction, particularly the works of Hilary Mantel, in portraying the Henrician court through researched narratives. It emphasizes Hans Holbein's portraits as vital historical sources, revealing connections between subjects like Sir Thomas Cromwell and prominent figures, thereby influencing modern interpretations of Tudor history.
Henry VIII’s court, particularly through the lens of Anne Boleyn and the Devonshire Manuscript, reflects a fascinating interplay of power, poetry, and sedition. Compiled by Boleyn's courtiers in the 1520s, the manuscript’s ambiguous verses provide insights into the dynamics of court life, ambition, and the eventual downfalls of key figures associated with Anne.
The author recounts their discovery of Levina Teerlinc, a significant 16th-century woman artist, while researching for their MA. They analyze a portrait by Nicholas Hilliard, suggesting it depicts Teerlinc as the Unknown Lady. Teerlinc's status as Elizabeth I's official painter raises her profile in the male-dominated art world of the period.
This post is a day late, but here are two beautiful full page miniatures by Simon Bening of his interpreation of the Adoration of the Kings on the Feast of the Epiphany. The first is from the da Costa Hours (MS M 399) now in the Morgan Library, New York. Adoration of the Kings. (folio… Continue reading The Adoration of the Kings
Melanie V Taylor 