Art historian with an interest in visual messages
Henry VIII’s court, particularly through the lens of Anne Boleyn and the Devonshire Manuscript, reflects a fascinating interplay of power, poetry, and sedition. Compiled by Boleyn's courtiers in the 1520s, the manuscript’s ambiguous verses provide insights into the dynamics of court life, ambition, and the eventual downfalls of key figures associated with Anne.
Articles in various publications have looked at Franny Moyle’s suggestion that Holbein left clues regarding the identification of one of his sitters of his miniatures being of Henry VIII’s fourth wife, Anna, Duchess of Cleves and not Katherine Howard as suggested by George Vertue writing in the 18th century. The recent article about Moyle’s theory… Continue reading How we know the Tudor Royals from 1485 – 1558; and who painted them.
Melanie V Taylor 