Art historian with an interest in visual messages
Henry VIII’s court, particularly through the lens of Anne Boleyn and the Devonshire Manuscript, reflects a fascinating interplay of power, poetry, and sedition. Compiled by Boleyn's courtiers in the 1520s, the manuscript’s ambiguous verses provide insights into the dynamics of court life, ambition, and the eventual downfalls of key figures associated with Anne.
The face of Sir Thomas More (1478-1535) is known to us because Hans Holbein the Younger (c1497-1543) painted the portrait that now hangs in the Frick Collection, New York. Sir Thomas More as Chancellor of the Duchy of Lancasterhans Holbein the Younger (c1497-1543). Frick Collection New York.Image source : Wikipedia For those interested in the… Continue reading Sir Thomas More – how we know him & his family
Melanie V Taylor 